Showing posts with label ska. Show all posts
Showing posts with label ska. Show all posts

Thursday, August 19, 2010

The Cat Empire - s/t (2003)

If you were to look "Party Band" up in the dictionary you'd find a photo of The Cat Empire performing live.  These guys are the epitome of what a party band should be. 

Take a bit of ska, a pinch of funk, a few hints of funk, a cup of reggae, a teaspoon of rap, and a tablespoon or two of jazz toss it in the blender, set it to puree... and you'll get The Cat Empire.

The band is comprised of Felix Reibl (percussion & vocals), Harry James Angus (trumpet & vocals), Ollie McGill (keyboard & backing vocals), Will Hull-Brown (drums), & Jamshid "Jumps" Khadiwhala (decks & percussion).  The band is often backed by the brass duo, The Empire Horns (Kieran Conrau/trombone, Ross Irwin/trumpet flugelhorn & backing vocals, & Carlo Barbaro/tenor sax).

As a lover of horns, I'm especially pleased that The Cat Empire does not skimp on the horns when the songs warrant a good solid wall of brass but also know when to show restraint when the material doesn't warrant any brass. 

One might not expect such an eclectic mix of different styles would mix well, but The Cat Empire mixes various different genres with a deft skill that speaks volumes to their musical talent and overall creativity.

Their 2003 debut album starts out with a festive, catchy bang with How to Explain which remains a staple of their live shows to this day.  Days Like These is a catchy fun romp as well, although not quite as fun as How to Explain

The album picks up speed again with The Chariot with catchy, upbeat lyrics and an infectuous beat that is near impossible to avoid dancing to.  The band would re-visit this song with a slightly different arrangement on their 2nd album, Two Shoes, but this version has a catchier groove than the more recent updated 2005 arrangement.

The lyrics are at times at empowering and other times downright amusing:

And my knees were shaking
And my jaw was dropping
And my eyes were squinting
And my smile was growing
And my pants were bulging
And my hands were sweating
And my chest was beating
So I cry 'excuse me,
What is the secret to your song?'

Cause when you're walking along
When you're walking along:

Your legs are a melody my hands
Would like to play
And your hips are a note
That does take me away
And your face and your eyes and your hair
And your waist and your smile
Drive me to distraction - excerpt from The Rhythm
After The Rhythm the album downshifts and borrows more from the band's jazz influences.  The material is no less enjoyable and it puts on display the full breadth of their musical talents.

While The Cat Empire has released several more exceptional albums, and their 2005 follow-up Two Shoes is easily superior to this debut.  The album is the best place to start as it whets the appetite for the even better music that was yet to come.

Related media & Links
How to Explain video

The Rhythm video

The Chariot video

Days Like These video

Hello video

The Cat Empire (official website)
The Cat Empire (wikipedia)
The Cat Empire (CD) (wikipedia)
Felix Reibl (wikipedia)
Harry James Angus (wikipedia)
Ollie McGill (wikipedia)

Thursday, February 04, 2010

Mighty Mighty Bosstones - Don't Know How to Party (1993)

Straddling the line between punk and ska, the Mighty Mighty Bosstones had a hard driving sound with a healthy dose of brass.

Part of the appeal was Dickie Barrett. He couldn't and can't really sing. That is to say he hits the notes but his voice is not one that anyone would describe as pleasant... any other voice wouldn't quite fit in the Bosstones. Barrett's vocals are as much a trademark of the Mighty Mighty Bosstones sound as their horns are.

After cutting their teeth on a couple of indie-releases, Devil's Night Out (1990) and More Noise and Other Disturbances (1992) the Mighty Mighty Bosstones finally found themselves signed to a major label (Polygram) and while Don't Know How to Party grew their audience and started to get them noticed it wasn't necessarily a breakout hit.

But at the same time the Bosstones were at the forefront of the brass-laden ska and new swing resurgences of the late nineties. The nice thing about the Mighty Mighty Bosstones-- their songs are fun party fare. They never take themselves too seriously. These are the theme songs emenating from fraternity houses of the mid-90s. There's a happy-go-lucky vibe to the music that captures the mood of the mid-90s... An anti-grunge if you will (the Bosstones often performed in loud plaid suits-- not exactly the uniform of the Nirvana generation).

That being said there's a screeching anger on some songs that would not have sounded out of place on a Nirvana or Pearl Jam album. But that anger is often tempered by following angry songs like A Man Without with lighter party fare like the infectious Holy Smoke.

Admittedly the Mighty Mighty Bosstones aren't for everyone, but if you're going to check them out, Don't Know How to Party is the best place to start. It's easily one of, if not THE strongest album the Bosstones ever released from the frenetic Our Only Weapon to the live staple from that era of the band Seven Thirty-Seven/Shoe Glue

Related Links
Mighty Mighty Bosstones (official site)
Mighty Mighty Bosstones (wikipedia)
Dicky Barrett (wikipedia)
Nate Albert (wikipedia)
Joe Gittleman (wikipedia)
Joe Sirois (wikipedia)
Tim "Johnny Vegas" Burton (wikipedia)
Dennis Brockenborough (wikipedia)