Between a Heart and a Rock Place by Pat Benatar

Katy Perry, Lady Gaga, the Donnas, Fergie... the list goes on and on.  But their careers likely would have been considerably rockier and likely even a bit less successful had women like Pat Benatar not paved the way for them.


Most of us know her hits Heartbreaker, Hit Me With Your Best Shot, Love is a Battlefield, Invincible, and We Belong to name but a few.  But there's so much more to her story than her hits and the path not only to her success but once she attained it was far more difficult than most realize.


Even if you're not a big fan of Ms. Benatar's music, and admittedly prior to being approached for this review my familiarity with her work was largely limited to her hits, Between a Heart and a Rock Place is a thoroughly enjoyable read.


Pat gives a very candid snapshot of the music industry of the late seventies and throughout the eighties-- its superficiality, its obsession with image, and the many double standards applied to female musicians that weren't necessarily applied to male musicians-- at least not to the same extent.


The stories that are told of record label executives and the peek behind the curtain to see the Wizard that Ms. Benatar provides throughout her book shows the considerably less glamorous and far less savory side of the music industry;  How they tried to tell her how to look, how to dress, discouraged her relationship with her guitarist and later husband Neil "Spyder" Giraldo, and even attempted to hide her pregnancy for her first daughter and make her feel ashamed of it; all of it would make for quite an incredible novel but what makes it even more chilling-- it's all true!


Without giving too much away-- this book is a must read for any fan of music, anyone curious about how the recording industry works, and certainly for any aspiring musicians whether or not you happen to be fans of Pat Benatar as a musician.  The insights provided give a glimpse of how much popular music has evolved from the late seventies to the present and it's all through the eyes of one of the most successful female rockers in the history of rock and roll!


Related Links & Media
Promo video for the book's release:

Pat Benatar(official site)
Pat Benatar (wikipedia)

Kevin Gilbert - Thud (1995)

Sometimes genius comes and goes without much notice or fanfare. Such is the case with the late Kevin Gilbert.

Gilbert was an exceptional songwriter, singer, and producer. While his talents were recognized by many of his musical peers and his small cadre of fervently loyal fans, his music and talents remained and continue to remain largely ignored by the general population.

Thud showcases Gilbert's satirical bite, his talents as a producer, multi-instrumentalist, and vocalist. But what was Gilbert's strongest suit was his lyrical skills, his masterful way with words and the way his pained vocals delivered his clever lyrics.

Much like the Toy Matinee album he'd done a few years before with Patrick Leonard, there's not a weak track on the album, all songs showing evidence of his troubled musical genius.

Waiting excellently dispels the myth of the promise of better days to come. In Gilbert's vocal delivery you hear his skepticism that the better times he's waiting for will ever actually arrive. If anything you hear a certainty of future disappointments that the longer he waits for things the less apt they are to happen.

Tea For One captures the pain of loneliness and unrequited love with a stark emotional poignance that allows the listener to feel the pain of Duncan, the song's protagonist, and make an emotional connection with the music that is lacking in more conventional pop songs. Similarly, Tears of Audrey, is a song of putting up walls to keep love out. It gives the fear of pain of broken heart a name-- throughout the song the listener wants the tears of Audrey to fall, to break down the emotional walls many of us are guilty of putting up.

All of us have a dark side, a Shadow Self, we keep at bay-- a darker evil version of ourselves that feeds off of our negativity and grows in strength the more we give into that negativity. Shadow Self is a message from that dark side we all have, acting as a warning to help prevent us from letting our Shadow Self take us over.

But of all the tracks on Thud the one that is almost spooky in its clairvoyance-- it's lyrics even more true today than they were at the time of the albums release is Goodness Gracious:

Goodness Gracious
I'm not listening anymore
Cause the spooks are in the White House
and they've justified a war
So wake me when they notify we're gonna fight some more

Who knows what music Gilbert would have created were he still alive today? What stories would he gone on to tell? What messages would he be delivering us through his darkly emotional lyrics? Unfortunately the world will never find out. But at least he left us with a few glimpses into his musical genius. Thud is an overlooked album that is worthy of not just a first glance, but also of several subsequent glances.

If you've missed out on Gilbert's work in the past, it's not going anywhere and it's never too late to sit up and take notice.

The Verve Pipe - Underneath (2000)

In April 1996, my freshman year of college, Verve Pipe performed live. They'd just released their major label debut, Villains, the previous month and the song Photograph was starting to get some serious airplay (at least in their native Michigan, where I was attending college). I purchased Villains and later their Indie label debut EP , I've Suffered A Head Injury and their 2nd release, Pop Smear. Other than a few tracks I really didn't get what all the fuss was about.

For the next few years I was content to ignore them. Their next eponymous release wasn't even a blip on my radar in 1999. Then in 2002, I stumbled upon one of the songs from Underneath and I had to hear more.

At a small out of the way music store in an out of the way strip mall in Elyria, Ohio I picked up a used copy of Underneath-- and the money was very well spent. Unlike their other albums which were lukewarm at best, Underneath was a prize. One of those rare CDs with not a bad track on it, a solid effort from start to finish.

Now when I put this CD on, I'm transported back to cool spring and summer nights of solitude as I was trying to find my way back to me after getting lost somewhere along the way a few months before. Along with Dream Theater's Awake album this CD was my emotional road map that led me back to the person I'd somehow forgotten I was.